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The two singles shared to date by Ashnymph are hard to categorise: their own description of their work as “subconscioussion” leaves listeners guessing. The first single Saltspreader blended a heavy mechanical drumming – bandmember Will Wiffen has at times appeared on stage in a tee that features the symbol of industrial metal pioneers Godflesh – with old-school electronic keys and a riff that vaguely recalls the Stooges’ garage rock perennial I Wanna Be Your Dog, before transforming into a barrier of unsettling sound. Its intended effect, the group has mentioned, was to suggest road trips, “the ceaseless flow of vehicles 24-hours a day over great lengths … orange lights at night”.

Its follow-up, Mr Invisible, occupies a space between club music and left-field alt-rock. On one hand, the song's beat, multiple entrancing electronic parts, and lyrics that appear either trippily blurred or hypnotically looped in a way that brings back the classic Underworld album era all suggest the dancefloor. On the other, its powerful concert-like energy, brink-of-disorder feel and fuzz – “achieving a crunchy texture is a long-term goal,” Wiffen has said – distinguish it as undeniably a band creation rather than a lone electronic artist. They've gigged around south London’s DIY scene for less than a year, “anywhere that will turn the PA up loud”.

But both are exciting and different enough – from each other and anything else around at the moment – to prompt questions about Ashnymph's upcoming moves. No matter what it is, on the basis of these two singles, it’s sure to be engaging.

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